Ian ByrdBIG FAN OF LIVING
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EXPLORATION 02 / 2026

Filmmaker Magazine.

Editorial / Typography

Project Brief.

Redesign a magazine using grid structures, sequential typography across multiple pages and formats, and combination of expressive and functional type.

Filmmaker masthead sketches and lettering iterations

Refining the Idea.

Being a magazine based around indie film creation, I really wanted to embody aspects of film within the magazine. This lead to me ideating about ways to represent such a magazine through the masthead without it being overly obvious. I ultimately decided on using a modified Workhorse Empire Fold font, modifying the K to be more cohesive with the other letterforms. This then was a way to allude to the film slate, or "clapper", through the masthead.

Camera lens rotated clockwise, showing the scale markings that inspired the magazine navigation

Developing the Imagery.

Besides the masthead, I decided to use the zoom index marks on a camera as a point of inspiration. Developing a running tab system that is used as a progressional marker for the magazine allowed for the small markings of the zoom index to become much more. This system then became the basis for the contents page, allowing for a distinctual indentation between features, sub-features, and department. It was then given ample space within the spreads to maintain a luxury feel within the publication while allowing for a continuation of the developed system.

Film still framing before the revised magazine layoutRevised magazine spread with the developed grid system

Defining the System.

The most impactful part of this project was when I decided to make a monumental, last minute, shift in my layout. I noticed that the 17x11in spread that I was designing was resulting in either the loss of the majority of the film still or creating uncomfortable spacing that was hard to fill, or leave as is, without becoming a major point of distraction. This drove me to redesign the magazine to meet a 10x10in layout. This change allowed for the majority of the still to be present within the spread without losing context; a change that was quintessential in the formation of what I redesigned Filmmaker to become.